Sunday, 23 September 2012

ATM 245 Electric Ladyland Sessions May 68 CD 4 (flac)

Record Plant, New York City 1 May & 2 May 1968

Third in a series of four sets featuring nearly every available mix and take of the tracks recorded in May 1968.

Set List

01 Voodoo Chile (composite of takes 2, 4 & 6 alternate mix)
02 Voodoo Child (Slight Return) (takes 01 & 02)
03 Voodoo Child (Slight Return) (take 03)
04 Voodoo Child (Slight Return) (takes 05 & 06)
05 Voodoo Child (Slight Return) (take 07)
06 Voodoo Child (Slight Return) (take 08)
07 Voodoo Child (Slight Return) (take 09)
08 Voodoo Child (Slight Return) (takes 10 & 11)
09 Voodoo Child (Slight Return) (take 12)
10 Voodoo Child (Slight Return) (takes 13 & 14)
11 Voodoo Child (Slight Return) (take 15)
12 Voodoo Child (Slight Return) (take 16)
13 Voodoo Child (Slight Return) (take 17)
14 Voodoo Child (Slight Return) (take 18)
15 Voodoo Child (Slight Return) (take 19)
16 Voodoo Child (Slight Return) (take 20)
17 Voodoo Child (Slight Return) (alternate live & unreleased mix)
18 Voodoo Child (Slight Return) (mono fold down mix)
19 Voodoo Child (Slight Return) (stereo LP mix)
20 Yes I Need Someone (mono single mix)
21 Let Me Stay (mono single mix)

For Trade Only - Never For Sale

Download link.  Rars with recovery record.

When you click through with lix in click on continue not on download

http://lix.in/-c6a236


If you are the legal representative of Jimi's estate and you don't want his ROIOs shared here you can send me an e-mail at idontbelievetherearenoids@yahoo.com and I will close this blog and stop sharing Jimi's ROIOs freely with other fans.  As you will know ROIOs exist - you can't make them vanish. So, why not let Jimi's fans download them for free instead of having to purchase them from commercial bootleggers on auction sites?  The ATM series was created by fans to be shared freely amongst fans.  We support Jimi and his estate by purchasing his official releases which are absolutely not shared here.

5 comments:

  1. HI

    Thanx really a lot. I didn have that bevor

    Amondüül the sunsurfer

    ReplyDelete
  2. Hoy thanx.. I hav bin doing catch-up just lately, seeing as I wuz worried aboot the Lix.in sxrew-up.. and I have to say, I have never seen a more SOLID blog than yours..right from the word go.. every link works....Just giving you the Thumbs up, eh?

    ReplyDelete
  3. Just curious about something..

    The tracklist for Disc 4 according to infromthestorm is as follows for tracks 1 - 16 :

    Voodoo Chile" (13) (longer alternate mix of composite) 9:15 / Record Plant, New York City, NY 03.05.68: "Voodoo Child (Slight Return)" (1-21) (full session, mono) 15 tracks; 32:34

    "Voodoo Chile (Slight Return)" (1-3, 5-16, 18-21) is the full circulating session in a dry mono mix, here in slightly better quality than most previous appearances. (17) is the official mix of (16) taken from "Lifelines".

    I'm assuming for tracks 2-12 the "takes" would correspond to Voodoo Chile(1),Voodoo Chile(2)etc...

    Would tracks 13-16 actually be Voodoo Chile(18) - Voodoo Chile(21)?

    ReplyDelete
  4. The numbers in brackets at infromthestorm don't correspond to takes. Here is an explanation from Denny over at JPIO

    Most Hendrix tracks are referenced by two different sets of numbers. The
    ones we are the most familiar with, which have been around for years, I
    believe was started way back by the "Hey Joe" group. This system was
    incorporated into the publication of "Jimi Hendrix: Electric Gypsy" by
    Shapiro and Glebbeek and continued in "UniVibes" by Glebbeek according
    to notes I have from Doug Bell. In the early days of the Experience
    Hendrix website, they even referenced these numbers for a while. I'm not
    positive on this but I don't think the page exist anymore there.

    It uses a letter & number system of:

    S - Studio
    L - Live
    P - Private (Jimi's own recorder, which is confusing because it also
    shows up as studio jams on regular equipment)
    I - Interviews

    The number after the letter refers to the Chronological
    "released/discovered" date of a particular track whether it's official
    or on a bootleg and not the actual studio date the track was actually
    recorded. Also with studio releases, this becomes problematic. This is
    why the first official Purple Haze starts with S003 & not 001. Hey Joe
    is S001, Stone Free is S002, and so on. It gets even worse as there is
    no deviation between a stereo or mono mix on the early official
    releases. All of the above tracks (and many more through Electric
    Ladyland) have the same number for both the stereo and monaural mixes
    even though they are different. The above problems are the reason I use
    both numbering systems on the Studio Series to try and hold the
    confusion to a minimum.

    The second numbering system is simpler and was introduced by "Jimpress"
    in "From the Benjamin Franklin Studios" and "The Studio Log"
    publications. This is the system that Hans-Peter Johnsen prefers and
    uses at his "In From The Storm" website. Like the first system, it
    refers to the Chronological "released/discovered" date of a particular
    track but because it came into existence later, the numbering sequence
    in many cases matches the actual recording date closer. Still not
    perfect as the early official releases will still come first.

    Every track starts with the number 1 and runs straight through all known
    recordings of that track. No letters such as "S" for Studio or "L" for
    Live is used but occasionally "J" or "JA" (Acoustic in this case) will
    pop up for Untitled Jams and Home Demos. This makes researching a track
    much easier. Now, the first release of Purple Haze in it's stereo mix is
    (1) and the official mono mix is (2). The Legacy mono mix is (3) and so
    on. Since the system is still reliant on its release or discovery date,
    early studio takes and live recordings can have really high numbers. A
    Purple Haze stereo second alternate mix which is slightly different and
    more complete than alternate mix (4) is numbered (120) even though they
    were both mixed from a take recorded on January 11. 1967. Even Live
    tracks can get a little goofy. Purple Haze, 2/3/68 Winterland, second
    show, is (28) but the second show on 2/4/68 is (115). Denver on 2/14/68
    is (125) with Dallas on 2/16/68 getting us back to (29). The
    fluctuations being caused by new shows and studio material being
    discovered at a much later date.

    ReplyDelete
  5. Thanks for the reply (and for clearing things up for me)...

    Deth

    ReplyDelete